Hamlet and a Midsummer Night's Dream

Furthermore, the law was another problem obstacle that influenced affected love negatively. The Athenian law states that every woman must obey obey her father. “To you your father should be as a god.” (Shakespeare, 11). This quote states that to women, their father should be their God, only obeying him. and the only one they should obey. Hermia’s father, Egeus, refuses to allow to her to marry Lysander, as we wants her to marry Demetrius. Egeus uses using the power of the law over Hermia and this is is demonstrated when he says “As she is mine, I may dispose of her.” (Shakespeare, 11). Lysander and Hermia’s relationship is affected because Hermia must obey her father or face the consequences of the law. Additionally, the law impacts affects the love between Hermia and Lysander because Egeus takes the issue to the Duke, Theseus. Theseus states;

The first instance of Polonius’ overbearing nature is seen in Act 1, scene 3, where Polonius is giving “advice” to his daughter about Hamlet. Once Laertes heads to the ship, Polonius instantly demands Ophelia to tell him what her brother told her. Polonius hears his daughter talk about Hamlet and immediately states her reputation in the eyes of others. He states, “Have of your audience been most free and bounteous…you do not understand you so clearly as it behooves my daughter and your honor,” (Act 1, scene 3, 93-98). He makes it clear that she is making herself very available for Hamlet and not conducting herself in a fashion that is appealing to her name. It’s obvious that Ophelia fancies Hamlet’s romantic advances on her, but Polonius doesn’t care for her independent thinking. He ridicules her calling her a “green girl” a “baby” for thinking that Hamlet’s offers of affection are real (Act I, scene 3, 101-105). The scene ends with Polonius reminding Ophelia that Hamlet’s intentions are not to love, but empty promises sought to advance in sexual acts. Although Ophelia strongly feels love for Hamlet, she listens to her father’s advice and ends the scene with “I shall obey, my lord,” (Act 1, Scene 3, 136).

Hermia’s speech in Act 2, Scene 2, of Shakespeare 's A Midsummer Night’s Dream, contains an abundance of dream imagery. She has awoken from a terrible dream after falling asleep in the forest with Lysander. They were lost and tired so they decided to rest. Lysander wanted to sleep beside her but, she refused since they are not yet married and while they slept Puck applied a love potion on Lysander’s eyes thinking he was Demetrius. Lysander wakes and is repulsed by the sight of Hermia and never wants to see her again because he is now in love with Helena. Hermia awakes from her terrible dream and retells it thinking that Lysander is nearby listening. Then she realizes that he is not there and she does not see him anywhere. Hermia expresses the sentiment that she will find Lysander or she will surely die. She stated,

It has been suggested that Ophelia was put out to nurse, and passed her childhood in a farmhouse; but not only is there no line in Hamlet to warrant our adoption of such a theory, but the girl herself lacks the healthy practical tone of mind, the self-reliance in little things, which a rough open-air rearing would have given her. It is more probable that she grew up under Polonius’ own eye, and that with the same want of perception of character which distinguishes him in his dealings with Hamlet, while he pushed forward his independent son, he kept his gentle, timid daughter under stern control at home. (165)

A Midsummer Night’s Dream is a masterful piece of literature that both directly and indirectly comments on the reality of control and power in Western cultures. Shakespeare’s ability to depict human nature gives us insight into how English society functioned in his lifetime, but more importantly allows us to analyze our own perspective of ourselves and the world around us. One way Shakespeare articulates his ideas is through well constructed metaphors and similies, resulting in more powerful writing. One very significant metaphor is spoken by Theseus early on in Act 1, scene 1. Egeus has brought his daughter, Hermia, to the royal court to for Theseus’s opinion on Hermia’s marriage. Egeus has arranged for Hermia to marry Demetrius, a very worthy suitor, but Hermia is truly in love with another man, Lysander. This dilemna is explained to Theseus and he states, “To you your father should be as a god;/ One that composed your beauties, yea, and one/ To whom you are but as a form in wax/ By him imprinted and within his power/ To leave the figure or disfigure it” (I.i.51-55). In summary, Theseus is defending Egeus by saying Hermia was created by Egeus and his will determines her fate. Behind this metaphor is a simple idea that proves how a desire to control can have many unintended consequences as well as negative effects. In order to understand this concept more effectively, it is crucial to analyze how influence is structured socially. The quote demonstrates

Love is many things, and is also used as a reference to sight and vision such as blindness. It is much more than aesthetics and wields the power of sight, and can also cause chaos and destruction. Similarly, Shakespeare utilizes two types of blindness by love; the first being physical due to a love potion a fairy king, Oberon orders upon the humans in Shakespeare’s, A Midsummers Night’s Dream. The second, being metaphorical due to Antony’s immense amount of love towards Cleopatra, in which hinders his political motivation in Shakespeare’s, Antony and Cleopatra.

Ophelia spend her life devoutly obeying her father. When Ophelia attempts to describe the nature of her and Prince Hamlet’s relationship and discloses that “He hath, my lord, of late made many tenders / Of his affection to me,” (1. 3. 100-101) her father ridicules her feelings and states “Affection? Pooh! You speak like a green girl, / Unsifted in such perilous circumstances. / Do you believe his tenders, as you call them?” (1. 3. 102-104). After Polonius demands that Ophelia stop seeing Prince Hamlet she concurs— “I shall obey, my lord” (1. 4. 136). Furthermore, Polonius uses his daughter to spy on Prince Hamlet (1. 3). Ophelia does all that is asked of her, not once taking consideration for her own feelings. She does not have any control over her own life—that is enough to cause anyone to go insane.

Have you ever heard a quote that really stood out to you. And then you went and told you friends that quote and they liked it. And they told people who told other people and then everyone liked. Eventually, you know with all the social media programs these days, its going to end up on facebook or instagram and even more people are going to find out about it. Thats one way a quote can become famous but another way is if it is in a popular movie or book. In this case it is from one of Shakespeare's finest and most known, A Midsummer Night’s Dream. In A Midsummer Night’s Dream the quote “the course of true love never did run smoothly” applies to the different people in the book: the first couple is Hermia and Lysander, Second Demetrius and Helena, and finally Pyramus and Thisbe.

During the era in which Hamlet was written women were called to be submissive and obedient to the men in their lives. From the first moment Ophelia is introduced she clearly demonstrates these characteristics. When her father and brother learn of her interactions with Hamlet they tell her that she is naive and that her behavior is unsuitable. Polonius says in 1,3, “Affection! Pooh, you speak like such a green girl, / unsifted in such perilous circumstance. / Do you believe his “tenders”, as you call them?” In this quote, Polonius harshly puts to rest Ophelia’s hopes that Hamlet truly does love her. Some might view Polonius as trying to be a protective father. Although, in Polonius’ next line his true motive for such speech can be assumed. In 1,3, he says, “Tender yourself more dearly, / or—not to crack the wind of the poor phrase, / running it thus—you’ll tender me a fool.” Polonius fears that the actions of his daughter will hurt his reputation.

The biggest obstacle in this play occurs when the power of love is challenged by authority. The play starts with Theseus, duke of Athens, being eager to marry Hippolyta, who he wooed with his sword in combat. Although Theseus promises Hippolyta that he will wed her “with pomp, with triumph, with reveling,” true love between them is questionable. By starting the play with Theseus and Hippolyta, Shakespeare hints the audience of the authority involved in their marriage and leaves the audience wonder if they actually love each other. The focus is then shifted to the four lovers: Hermia, Lysander, Demetrius and Helena - by establishing the story of Hermia being forced by her father, Egeus, to marry Demetrius, when the person she actually wants to marry is Lysander. However, Egeus

Hermia’s father told his daughter she could marry Demetrius, become a nun, or die. Hermia does not like any of those choices, so rebels against her father and decides to go and marry Lysander, her true lover. Love causes Hermia to choose Lysander, which shows how the human nature of love has controlling powers. However, in the end, Hermia’s father accepts the fact that his daughter has love for Lysander and allows them to marry, but not just because they love each other. The marriage of Hermia and Lysander results from Demetrius falling out of love with Hermia. In Hamlet, Hamlet decides to obey and remain loyal to his father, while in A Midsummer Night’s Dream, Hermia decides to go against her father’s requests because of her love for Lysander. While these Shakespearean plays produce two different outcomes between the human nature of love and loyalty, they both show how love controls the loyalty of a person to a loved one.

In Shakespeare’s Midsummer Night’s Dream and Hamlet, the plays performed reiterate main ideas found within the play. Both plays hold a play within them, in Hamlet actors reenact the scene in which King Claudius murders Hamlet’s father, and in Midsummer Night’s Dream actors act out the story of Pyramus and Thisbe. Each show main ideas experienced in the play and show the audience their prior experiences, which evoke different emotions.

Shakespeare’s usage of metaphor and simile in A Midsummer Night’s Dream is best understood as an attempt to provide some useful context for relationships and emotions, most often love and friendship, or the lack thereof. One example of such a usage is in Act 3, Scene 2 of the play. Here, the two Athenian couples wake up in the forest and fall under the effects of the flower, thus confusing the romantic relationships between them. Hermia comes to find her Lysander has fallen for Helena. Hermia suspects that the two have both conspired against her in some cruel joke, and begins lashing out against Helena. She says “We, Hermia, like two artificial gods, / Have with our needles created both one flower, / Both one sampler sitting on one cushion, / Both warbling of one song, both in one key; / As if our hands, our sides, voices, and minds, / Had been incorporate. So we grew together, / Like a double cherry, seeming parted; / But yet a union in partition / Two lovely berries moulded on one stem: / So, with two seeming bodies, but one heart; / Two of the first, like coats in heraldry, / Due but to one, and crowned with one crest.” (Shakespeare 2.3.206-13). Shakespeare writes this list of vibrant metaphors to establish the prior relationship between these two characters and to make it evident how affected Helena is by this unexpected turn of events, as well as to add a greater range of emotion to the comedy, thereby lending it more literary and popular appeal.

A Midsummer Night's Dream is a play about four Athenian lovers. Theseus listens to both Hermia and her father’s request and he tells her to bend to her father’s will or die due to the old Athenian law. Hermia and Lysander flee Athens, into the domain of the fairy kingdom. At this time, Oberon is in a fight with Titania. This fight is over a human child of Titania’s friend. Oberon tells Puck, one of his loyal servants, to get a flower hit by Cupid’s arrow, and drop the oil into Demetrius’s and Titania’s eyes. However, Puck drops the oil into Lysander’s eyes due to Oberon’s vague description, making him fall in love with Helena and despise Hermia. Titania falls in love Bottom, who has the head of an ass, after Oberon places the oil

Shakespearean plays are often known for their outstanding entertainment and classic comic conflict. In his masterwork, Hamlet, Shakespeare uses these aspects to serve his thematic purpose. He has used comedy throughout many of his historic plays, but in this play, comedy is the drawing point that makes it fun and entertaining, yet clear and intuitive. Generally, his tragedies are not seen as comical, but in reality, they are full of humor. However, these comic elements don’t simply serve to relieve tension; they have much significance to the play itself. The characters of Hamlet, Polonius, Osric, and the Gravediggers, prove to be very influential characters, and throughout the play, they are the individuals that